Art History of Egyptian Painting Style Term Paper

Art History of Egyptian depiction Style - Term Paper ExampleIn the Justinian mosaic, King Justinian is seen to be wearing the same royal robes as Jesus Christ. The point of the mosaic is to evidently depict Justinian as Christs envoy on earth, and to channelize him as a creditable successor to Constantine. This depicts his power both in the State as swell up as the Church. Justinian is seen in the main altar of the church, the most holy part, further depicting his authority. Justinian, thus, exercises his power all over the priest, perhaps even signifying his holiness, which is seen through the halo.Giottos works exhibited a different spirit of realism. He bust away from Byzantine art. His was a more personal and realistic way of viewing a painting. His occupy was more human emotion and dramatic art. To make the latter more effective, Giotto placed his figures in home more practically conceived than painters before him. Also, he used shadows more efficiently to generate a co nsciousness of the figures. In the Madonna Enthroned Giotto produced depth by layering the attendant angels, with the angels in the fore blocking the vision of the angels behind.da Vincis stylistic innovations are more apparent in The Last Supper, in which he re-fashioned a conventional theme in a completely new way. He groups the apostles in units of three soma Christ in the center. Christ is calm while the others are gesturing animatedly. Through the weightiness of the figures and the magnitude of the scene, da Vinci da Vinci reintroduced a style founded a generation earlier by Masaccio.The Mona Lisa, easily Leonardo da Vincis most famous work, is known for the mastery of technical innovations as well as the mysteriousness of its historied smiling subject. Sfumato and chiaroscuro are evident here. Leonardo da Vinci is a master of both. Sfumato (smoked) is a deftly atmospherical haze or effect produced by delicate transitions between areas of color. This technique is particularly evident in the delicate gauzy robes worn by the subject and in her mysterious smile. Chiaroscuro (light and dark) is the skill of modeling and shaping forms by the use of contrasts between shadow and light.